Showing posts with label Cultural Textiles. Show all posts
Showing posts with label Cultural Textiles. Show all posts

September 14, 2013

Siamese Dream Design


Siamese Dream Design


Siamese Dream Design joined TAFA in April of 2011. A mother and daughter business, Barb and Amy's family moved to Thailand from the American Midwest 11 years ago and have built up a stunning accessories business using Hilltribe vintage fabrics. They have a strong focus on shoes and sandals, but also offer bags, pillows and other gorgeous accessories and garments. Make sure to visit their blog where their trips into the Thai mountains document their relationships and adventures!

Visit their profile: http://www.tafalist.com/members/siamese-dream-design


August 29, 2012

FurugiStar



Stephanie Hannon lives in Tokyo where she searches the markets for vintage Japanese textiles. Her business, FurugiStar, embraces the concept of 'yu yo no bi' - beauty in practicality, and 'mottainai' - no waste.  Explore her wide range of treasures in her Etsy shop!

March 18, 2012

CindyRQuilts




luxury lanna crafts



Jwrobel Studio



African Threads





Rayela Art







MayaMam Weavers






Coco Kulkarni





Afghan Tribal Arts






TAMMACHAT Natural Textiles

March 16, 2012

Susan Fennell Studio

Kit Eastman



June 23, 2011

TAFA Team Etsy Pick of the Week: Oversized Boho Tote

I'm totally obsessed with the bags from Dazzling Lanna!  Using vintage textiles from India and Northern Thailand, two friends based in Thailand and Switzerland, have created the most amazing handbags.  Hmmm...my birthday IS coming up, maybe I should get myself a little something!  They're also having a 10% off sale through the end of June.

Boho Tote by Dazzling Lanna
You can read more about them and see more of their bags by visiting them on the TAFA List, on their blog, on their website, and on their Etsy site

*Etsy Pick of the Week feature by Stacey Sharman from Peppermint Pinwheels.  Every Thursday, we will post one item from a TAFA Team affiliated Etsy store. In choosing a Team member photo, we will be looking for beautiful, Etsy Front Page worthy photos.

February 14, 2011

Happy Valentine's Day from the TAFA Team on Etsy!

Papaver Vert in Home Interiors

Love is precious.
Hold it tenderly.
Let it grow all around you. 


Castilleja Cotton in Supplies and Patterns


Visit our Catalog of Shops to see all of our LOVEly items!
(Click on the tabs at the top of this site.)


 The Greene Fairy in Eclectic Mix


 Dye Diana Dye in Apparel



Something Else Studio in Jewelry and Accessories


 Lorie McCown in Art Quilts



HeART of Healing Gallery in Cultural Textiles



Love a little.
Laugh a lot.
Seize the day!

December 10, 2010

The Oshiwa Shop on Etsy: Lots of new textile stamps!

Oshiwa Printing Stamps


The Oshiwa Namibia Team is a small fair trade carving group that focuses on making carved wood stamps and frames.  The stamps are available in their Etsy shop:

The stamps can be used to print on fabric or paper and to press into clay or soap.  Beautifully carved out of Wawa wood, why not use them as pieces of art in themselves?  Attach hangers on to the backs and hang them on the wall.  (A great guy gift!)  The Oshiwa sets have been assembled with continuity in mind and would look great as a wall unit:


Oshiwa Printing Stamps


Oshiwa made a conscious decision to go green with their wood:  the wawa wood comes from Ghana's Department of Forestry, harvested from wood grown as part of a sustainable forestry project.  Prices reflect the sourcing of the wood, paying fair wages to the artisans and shipping the stamps to the United States.  What?  They are in the United States?  Yes.  Due to the difficulty of shipping and making financial transactions from Namibia, Oshiwa has partnered with Rayela Art to market the stamps.  Rayela Art is based in Kentucky, USA, and Oshiwa stamps can be shipped together with any purchases made from the Rayela shop or the Afghan Tribal Arts shop.  All three of us are members of the TAFA Team.


Carving an Oshiwa textile stamp.


Many of our TAFA members dye and print on fabric to make their own designs.  Stamping with Oshiwa designs can produce lovely results!  Some examples:








Aren't they all just stunning?  The Oshiwa shop is now stocked with a great selection of sets and there are about 100 single stamps that still need to be listed.  Check the shop for new additions in the next week or so.  The single ones make great stocking stuffers for the artist in your family.  The stamps are priced by square inch with the sets reflecting a 15% discount.  They are the best investment for any serious fiber artist working with surface designs.


For more information on Oshiwa and the stamps, visit www.oshiwa.com.  You will find info on both how to use and care for the stamps.



 Happy Holidays from the Oshiwa Namibia Team!



November 27, 2010

Without Borders





Since the beginning of this year, I have been working on and off on creating artwork based on South Asian literature. Early in the year, I did this piece on Shakuntalam, Kalidasa's classical love story. 

This new piece, Without Borders, inspired by Jhumpa Lahiri's The Namesake, is very post-modern. I was trying to respond to Melange team's November challenge "Home" and the idea came when I spent one whole Saturday morning hunting for documents to apply for Indian visa. I felt much like Ashima, a borderless nomad, straddling a 10,000 miles wide Asian Indian boat. 

The power of Lahiri's book lies in the fact that global themes of dislocation, loss, and the longing for roots are explored inside the particulars of one Bengali woman's immigrant experience. This point was most poignantly brought to me when my Brazilian born aerobic instructor asked me if I had read the book. Ashima, derived from the sanskrit word asima, means "without boundaries". 

The book may have well been about Miguela, Ivana, Habiba or even one Indira.

November 20, 2010

The Girl Effect: Educating Girls Can Change the World

By Catherine Salter Bayar 

There are no coincidences. Just as I was about to post on my blog, Tales from Turkey, about my primary motivation for creating our handcraft workshops, the Universe beat me to it.

Please read more here. Learning about the "girl effect" is no big deal. But it may just save humanity.

http://bazaarbayar.blogspot.com/2010/11/girl-effect-hits-home.html

November 5, 2010

A Pageful of Craftgawker Submissions



Maybe I have a future in product photography! I now have a full page of photos in Craftgawker. Here is the link to my photo gallery Dharmakarmaarts Gallery. As you know, Craftgawker is a highly curated craft photography site and it is a challenge to take photos that are CG worthy. I take a lot of photos of my art ad craft items and whenever I find something that looks good I submit to Craftgawker. It is always a thrill when my photos get accepted. As of yesterday, I have a full page of accepted submisisons. Hopefully, the streak will continue.

October 27, 2010

Choosing Backgrounds for Your Etsy Photos

Tribal Jewelry from Central Asia on Afghan Tribal Arts


Great photos are key to successful online sales.  And, that is one of the things that makes shopping on Etsy fun.  The majority of the sellers there take this challenge seriously and really work at displaying their goods beautifully.  Many other competing online markets fail dismally at this as products are displayed with boring, dull, dark, blurry and downright awful photos.  There have even been jokes about photos on eBay where embarrassing reflections are caught by the camera and not noticed by the seller.  The one that sticks in my mind is of a shiny, silver teapot reflecting the image of a fat white man with no shirt on looking through a camera.  Bleah!

Of course there are awful photos on Etsy, too.  Learning how to use lighting well and then edit photos is a time consuming process.  Indira of dharmakarmaarts, one of our TAFA Team members, mentioned that she shoots dozens of shots for every item that she lists in her shop.  Etsy only allows us to show five.  I don't have Indira's patience, so I try for five to seven per item and go with the best.  Over the years, I've photographed thousands of products.  You would think that by now I would be an expert.  I think I am about average.  Good, but not exceptional.  My goal is to give clear images of the product so that the potential buyer can see and "feel" what they are looking at.  Sometimes I think photos on Etsy can go too far to the creative side, so that the product is actually diminished by the photo effects.

In the last couple of days, I have been working on getting photos ready for new listings on one of the shops I manage on Etsy, Afghan Tribal Arts.  My friend, Abdul, imports from Afghanistan and we have textiles, beads and jewelry on his Etsy shop.  I had started working on these photos a couple of months ago and then got sidetracked by other things.  I normally shoot outside on overcast days and when I was setting up yesterday, my eye caught a rusty iron table that I have in my yard.  I normally have plants on it.  The surface has aged into some pretty cool looking textures, so I thought I would try re-shooting some things on it.  Here is an example:

Before:



After:


The same pendant looks completely different on the white and rust background.  The metals pick up reflections of the surface it is on.  What do you think?  Which do you like better?  I love the rusty texture, but wonder if it makes the overall image too dark, especially when it is a small thumbnail.  Here are some other examples:





I was also playing with placing the objects a bit off center...





I often get rid of the background completely which is more time consuming.  Here is a textile that I will list later today:


 Turkman Child's Ceremonial Vest

I think a white background is especially important for pieces that already have a lot of pattern or texture in them.  But, one could as easily choose a solid color instead of white as the background.  Part of the challenge is to try to create a signature with the photos so that when they show up in image searches, people start recognizing immediately what belongs to your shop.  I hesitate to do that because it might brand an object, limiting it to a certain type of decor or group of people.  This is always a challenge when photographing clothing.  Some shoppers prefer to see clothing on someone while others prefer a mannequin or hanger.

If you are a shopper, what turns you on or off to a photo?  What kinds of backgrounds do you prefer?

If you are a seller, what have you experimented with and what are your insights?